Ralph’s Manuscript - Page 23
Published Manuscript
We are entertaining the idea of publishing a first edition of Ralph's manuscript
in book form. This would be a hard bound limited print first edition with the complete manuscript
(around 100 pages) and pictures. At this time we are trying to gauge
interest. If you think you would be interested in a copy of this book, should we
publish it,
Draft pages will be posted here so
you can get an idea of what it contains.
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26
Posted - November 7, 2005
The shot of Gable lying on the lake-bed floor,
being trampled by the stallion – shot from the horse’s point of
view. Gable lay in the
dirt dodging the two artificial horse legs being manipulated by Ross
Burke and Ted Berkeley. Huston
thought it not realistic nor exciting enough and took over the two
legs and manically started kicking at Gable.
From where I was standing it looked battle to the death
between the two men. It
was printed.
This morning I went to the bungalow about five or six, and was
halted near the kitchen by screaming and accusations and a final
“get out of here, and don’t you dare ever return.
I’ve finally had enough of you – I’ve had enough of you
for years, but this is it. I
don’t give a damn where you go, to hell for all I care.”
Arthur moved to the Sunset West, incognito, and practically no
one knew they’d finally separated for the last time.
I never noticed any overt coolness on the set, and I think
only Frank Taylor knew. Paula,
May, Hazel, Whitey, Agnes, etc., but no “outsiders.”
Gable was leaving the set today toward the end of the
shooting, and stopped by to say goodnight to Marilyn.
Something he rarely did.
Eve Arnold was setting up for a Life cover picture of
Marilyn, and she was dragging herself into costume, and fresh
make-up. He asked
“What is going on here?” “Eve
has a deadline for the picture to be in NY”.
“Then schedule it for early in the morning.
You’ve had a tough day.
No actress should have to do a sitting at the end of such a
day.” “But the
deadline.” “It can
wait. You go home, get
some rest, and do the picture tomorrow.”
It’s to be done tomorrow morning.
Marilyn looked like a little girl, whose father had saved her
from the big bad wolf.
Paula: “Ralph,
when do you see Marilyn tonight?”
“She said about eight.”
“I’ve just read the new rewrites.
It is absolutely imperative that she not see them until
I’ve had a chance to try to talk with Arthur.
See what you can do to prevent it.
Hide the script, take it with you, do anything.
It’s that vital. What
I feared in
Reno
has happened. The whole
picture is being changed around.
The character of Roslyn is being made into an out-and-out
whore, with no redeeming qualities whatsoever.
Clark
is being made into a bum whose own mother wouldn’t like him.
Monty is being brushed off.
Eli is the big romantic.
I saw this months ago, but I couldn’t believe Arthur would
ruin his beautiful concept. Believe
me. I can’t stress too
much that we can’t let her read them.”
When I got to the bungalow, she’d just finished eating
something, so we talked about Gable’s taking charge of the Life
picture session and how sometimes fantasies do come true.
He had become her father.
Then, after fifteen minutes we started the massage.
She relaxed immediately, and by the time we were halfway
through, was asleep. While
talking, I’d tried to discover the script, but it was nowhere in
view. Nor could I see it
in the bedroom. On my
way out, I looked in the kitchen to no avail.
I thought probably it’d been left in the limousine.
I went back to my room where I had left my dinner, a turkey,
bacon sandwich, and a beer. I’d
finished when the phone rang. I
couldn’t believe she’d waken, it was such a deep sleep.
Paula: “Ralph, I’m desperately worried.
Did you find it?” I
told her my search and my conclusion.
That she was deep in sleep, but undoubtedly would call
sometime in the night. She
did, and I carried the pills with me for the two o’clock massage.
Again she fell asleep very early.
Manuscript property of the estate of Ralph L. Roberts. Do not
copy without permission.