Published Manuscript
We are entertaining the idea of publishing a first edition of Ralph's manuscript
in book form. This would be a hard bound limited print first edition with the complete manuscript
(around 100 pages) and pictures. At this time we are trying to gauge
interest. If you think you would be interested in a copy of this book, should we
publish it,
Draft pages will be posted here so
you can get an idea of what it contains. Page 1 Page 2
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26 Posted - December 27, 2005 Rudy told me on the set that he nearly had a heart attack on the
trip to the studio. Everything was peaceful. Marilyn and Paula were
each sitting in silence, when all of a sudden Marilyn let out a
scream that he almost drove off the street. Hid did stop, and turned
around. Marilyn was clutching the new pages of the script, and
screaming incoherently, tears rolling down her face. Paula trying to
comfort her. "I know, my dear, I know, but it’ll work out all
right." "How? I have no protection. Another page of the
diary." Fortunately Marilyn had practically nothing to do this morning. I
think a scream from offstage. There was a lot of coming and going in
her trailer, with a lot of wondering going on as to what had
happened. It was a morning for screams. I was standing outside Gable’s
trailer, talking with Frank Prehoda, when we jumped at the sound
from inside. A loud "Damn, damn, damn." Then the telephone
"George? Look I want a screening get up for nine in the morning
of everything we have. I just read some new rewrites and they’re
trying to mess up a good picture, and I’m not going to allow
it." He then went to Marilyn and when he looked at her, I know how you
feel, kid. Everything will be all right. I’m telling them that
this is my last day of shooting. You see, I have it in my contract
that I don’t have to say any word I don’t want to. It’s
something I always have, to prevent any unnecessary obscenity. But,
it covers me here – I don’t want to say another word."
"Oh Clark, please don’t let them change your mind. I can’t
do anything. I don’t have any like that in my contract." He
then told Huston and Arthur that this was his last day. Arthur,
"But, Clark, didn’t you see the new rewrites? I think they
improve the picture vastly." "I did, and disagree with
you. I think you have a great picture as is. And I’m very proud
and happy to have been part of it. But this is it." Marilyn
asked me to move around the set, and try to find out anything going
on, and the lay of the land. "Oh, please God, make Clark stick
to his decision." All Marilyn’s ‘group’ had been alerted to keep eyes and
ears open for any hint of movements or tactics or even rumours. I
saw Eli come sauntering in, being greeted by Arthur, and they went
into Arthur’s ‘office,’ shutting the door. I slipped around to
the back of it, and could hear Arthur telling Eli that Gable wasn’t
buying the rewrites, and was adamant about he was finished shooting
on the picture. I reported this to Marilyn, Whitey, Agnes, and
Evelyn all came in with the news that word was spreading that we’d
all be through within the next few days. Finally Gable stopped by to say goodbye to her, with "take
care of yourself, girl," went to his dressing room for some
papers, said goodbye to Frank and me (we were standing outside is
trailer talking), and was leaving, when he turned and said to me,
"Oh, that picture for Maureen, I almost forgot." I
replied, "You’re on your way, maybe another time."
"No, it’s an honor." He went inside, inscribed one of
his favorite pictures to "Maureen with love, Clark Gable."
I told him she’d be thrilled beyond belief. The next few days a
flurry of activity, getting final shots, packing. I packed the
station wagon with my things, including the tape recorder, several
bags Paula wanted me to take with me, four small Indian rugs Marilyn
had bought in Reno, and went by Sunset Towers West to pick up a bag
and typewriter that Arthur had asked me to take to NY. Arthur shook
my hand said "Thanks, Ralph, and thanks for everything. Without
you, the picture could never have been finished." I left from
the studio later that afternoon after saying goodbye (and I’m
notorious about never saying goodbye) to the ‘group.’ Marilyn
said to please drive carefully, and asked did I need any money for
the trip. Two days later, in the middle of the night, driving
through Texas, I heard the broadcast that Gable had been admitted to
the hospital for a heart attack. I pulled over to the side of the
road and sobbed and prayed. When I finally started driving again,
all of the millions of stars in the Texas sky seemed to be saying
over and over what was emblazoned in my mind about the essence of
the speech he’d had in the picture of ‘heading for the big star.’ I drove practically straight through, ears glued to the radio for
news. One afternoon, when I stopped for a meal, I called Marilyn.
She started crying, "I’m praying, I’m praying." I
called Paula, who said that Marilyn was in constant touch with LA
about Clark, and could think of nothing else. I’ve made the trip
from LA to NY more times than I can remember, this one was the
fastest. I saw her when I arrived, and the night he died, she called
me, hysterical. Manuscript property of the estate of Ralph L. Roberts. Do not
copy without permission.