Published Manuscript
We are entertaining the idea of publishing a first edition of Ralph's manuscript
in book form. This would be a hard bound limited print first edition with the complete manuscript
(around 100 pages) and pictures. At this time we are trying to gauge
interest. If you think you would be interested in a copy of this book, should we
publish it,
Draft pages will be posted here so
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26 Posted - September 1, 2004 [Marilyn] "Wonder if I’d get blamed for this?"
I laughed and said "I’ll put on my spying outfit."
'This' was a gigantic forest fire that has been raging in the
Sierras seventeen miles from Reno. It had cut the power lines
supplying Reno, except for a few auxiliary power systems in the
gambling casinos. "It is hair-raisingly beautiful, though, isn’t
it. One realizes how much destruction is going on; one thinks of all
the animals being killed; of those trees being destroyed. When one
witnesses such an upheaval in nature, it sometimes puts into
perspective those wars going on inside oneself. It sure heightens
the excitement, even Arthur is affected by all this. But he had the
crew put a line of power to the suite so he could go on typing.
First things first with him." That line was the only power in the upper regions of the Mapes
– no lights, no elevator, no nothing. I stopped in to visit with
Agnes (Flanagan) who was in her workroom opposite the stairway,
freshening wigs by candlelight. She and I made a drink, and had just
"happy houred" each other, when Marilyn came in to say she’d
like to be with the happy people. "You aren’t drinking that
without ice, are you?" "No ice because of fire".
"Rafe, we have ice, why don’t you go and get some?" I
did. "Did he growl at you – or even make any notice?"
"He looked, nodded his head." "Cheers." A couple passed, climbing to a higher floor. The lady could be
heard saying, just as they passed the door, "Why isn’t that
Marilyn Monroe?" Marilyn grabbed the wig Estelle Winwood had
worn in her scene, shambled it over her hair, did an exaggerated
dance movement "Oh no, I’m Mitzi Gaynor!" "Raffe,
could you go back in there, - I feel that I really want to join you
happy people – and a split of champagne couldn’t hurt?"
"Cheers". The candle lights, the being with friends, the
omnipresent sense of the raging fire – all seemed to cause her to
reminisce. "Funny. I feel more secure and safe with men than I
do with women. But it seems to me that I’ve worked more with women
than with men. When I first started Jane Russell, Betty Grable,
Betty Bacall. All wonderful, and I was in such awe of them. They
were giants. Then I did FAIR WEATHER, and Ethel Merman made so much
fun of my singing, and Mitzi Gaynor "klutzed" over my
dancing, that it was one of the most agonizing times of my life. I
felt it wrong, and unnecessary for a real singer to ridicule a would
be singer and an established dancer to likewise a non real dancer. I’ll remember the night of August 12 for a long time. Marilyn
was terribly worked up over an altercation with Arthur. She was in
the state of boiling inside, and not able to talk about it, or let
it out; so that the massage went on longer than usual, before she
fell asleep. I was just opening the door of my room, when I heard
the phone ringing. My immediate thought was that it was her calling,
but when I answered, it was Frank Taylor (the producer). He asked if
I’d seen Marilyn, and when I said I’d just left her, he wondered
if I would be able to give Monty a massage – that he was climbing
the wall with nerves. His first scene was scheduled for morning, and
he couldn’t sleep. I said I’d be right in. Picked up the table,
and went to Monty’s room. He said how much he appreciated my doing
this, and while I set up the table next to the bed, he asked if I
minded listening to Ella Fitzgerald. He carried a tape-recorder with
him on locations with lots of Ella tapes a friend had made from
records. As he was getting on the table, I started to turn off the
lights, but he asked if it would be all right for the massage to
leave at least one on – that he hated darkness. He was incredibly
tense, but closed his eyes, tried to listen to the music, and to
"go" with the massage. About half way through the massage,
when I got to his right arm, I looked at his face, it was startling.
He’d relaxed to such a degree, that it was like looking at the
before accident face. It’d lost the rigidity. When I told him to
turn over, he smiled a sleepy grin, turned over, and within minutes
was asleep. I continued with the massage, and at the end was in
something of a dilemma; I didn’t want to wake him, yet I didn’t
want to leave him on the table to maybe roll over and land on the
floor. So I eased him onto the bed, covered him, tiptoed out of the
room, leaving the table there, incase closing it would awaken him
(the noise of it). This was about one-thirty and I took a Budweiser from my ice
chest, had a deep swallow, when the phone rang. "Hi. I had
several great hours of sleep, but -?" "Sure. Right
there." I finished the beer, and went down the hall. I let
myself in, went into the bedroom. "I’m sorry, but I thought
maybe a few minutes of the feet would get me back there".
"I told her about Monty, and "Oh, I’m so glad. I sure
know what he’s been going through, waiting for his first scene.
Well, at least one good thing happened in Reno today." Manuscript property of the estate of Ralph L. Roberts. Do not
copy without permission.