Published Manuscript
We are entertaining the idea of publishing a first edition of Ralph's manuscript
in book form. This would be a hard bound limited print first edition with the complete manuscript
(around 100 pages) and pictures. At this time we are trying to gauge
interest. If you think you would be interested in a copy of this book, should we
publish it,
Draft pages will be posted here so
you can get an idea of what it contains. Page 1 Page 2
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26 Posted - June 1, 2004 A few days before Monty’s birthday "I think I’ll give
Monty a surprise birthday party at Miss Palmers’. It should be his
party, so we have to make sure they’re all the people he really
likes. It turned out to be a marvelous evening, with all of us on
one side of the room, at a long table. Monty told me later that it
was one of the highspots of his life, and that he really felt loved
that evening. Years later, I found that one of the other customers
at the Place that night was Fred Lawrence Guiles, a writer from San
Francisco, who was writing a book on Marilyn, and had come up to
Reno in hopes of interviewing her, but had been told "no
interviews"; He and a friend drove to Virginia City to have
dinner. They made no attempt to intrude, even though there was an
hour of casual mixing, and toasting. He later wrote a sensitive,
revealing portrait of Marilyn in NORMA JEAN. Gable said he would stop by to wish Monty a happy birthday, but
didn’t feel that he could stay for the party. He didn’t like to
socialize while working – and loved being with his wife when he
was able to relax after the days shooting. A routing began a few days later when shooting started that
caused the days and nights to merge into one long seemingly endless
period of time. After Whitey finished the make-up, Paula and Marilyn
would go ride together to the location – the ranch house, the
lake, the rodeo, etc. – going over lines, of the scene, and
discuss the attitudes, objectives, meanings. I would drive my car
with usually May, and a rotating list of passengers. I remember
getting to know the publicist, Harry Mines, and Sheldon Raskin.
Dorothy Blass who had been Marilyn’s secretary during the period
after SOME LIKE IT HOT, when May was on vacation. Often, reporters,
and photographers there to cover the picture would hop in the car.
Marilyn wanted me around during the day; to have a friendly face and
for a neck rub during breaks "to get me through the day."
The lunch break, feet rub time. She seldom talked during these
moments – she saved that for the evening massage, and the middle
of the night. One day, during the scene at the ranch-house, when
Gable and Marilyn were planting flowers, at a break, Marilyn and
Paula were sitting in the shade, and discussing the scene (I was at
the usual neck-rub), when Gable brought his chair over sat and
started talking about what a lovely scene it was. "Marilyn, I
have to tell you that I’ve had reservations about you and your
temperament. I wanted to do this picture more than I can tell you,
and even if it meant working with you, I was determined to do it. As
far as I can see, you’re about the least temperamental person
involved." Everyone became choked with a very special feeling
– that statement wasn’t something that seemed to come easy with
him, and it certainly overwhelmed Marilyn and Paula. Then, "I
went to see Lake Pyramid late yesterday. It’s unbelievable.
Reminded me when we shot MOGAMBO in Africa. Near Lake Victoria.
Incredibly beautiful in a strange, desolate way. Grace Kelly and I
thought what a waste, nobody going swimming and it was very hot. We
got our suits, got into a jeep and drove to a beautiful beach.
Changed, ran to the water, and dived in. When we had swum a few
yards, we happened to look in front of us, and there was a herd of
Rhinoceroses headed our way. I don’t know where they were, where
they came from, but I tell you, you never saw two people back-track
in water, the way Grace and I did and we were in the jeep and back
at the camp before you could say "Jack Rhinosceroses."
Laughing almost hysterically, "Oh, Clark, thank you. I’m so
glad I’ve had you for all these years to hold on to – I feel
like Judy Garland and her song." The break over, there was
disagreement as to what to call a particular flower Gable planting,
and he himself came out with ___________. Everyone thought it great.
That night at talk-time, "I feel that I’m in seventh heaven.
I knew he was up-tight about me – Oh, he never showed it, but you
can tell – I love working with him, he makes me feel more feminine
than I can ever remember feeling in a movie. He’s so really
masculine, and even before today, protective. I guess, for an
actress, a man to be masculine, protective, and _____ accept you as
and equal talent – one can’t ask for anything more. I don’t
know why I limited that to "an actress", for a man and
woman, that’s what life is all about." That day marked a slight change in the line-up of troops. Almost
imperceptibly, a mood changed the atmosphere. And, oddly enough,
when I mentioned it to her, she replied, "Yes. It’s the first
time all along that I’ve felt hope. It’s also not only going to
change the atmosphere – sooner or later, It’ll charge the
atmosphere. Something absolutely marvelous may come of all
this." Manuscript property of the estate of Ralph L. Roberts. Do not
copy without permission.